ROBERT GORDON WASSON Seeking the Magic Mushroom

On the night of June 29-30, 1955, in a Mexican Indian village so remote from the world that most of the people still speak no Spanish, my friend Allan Richardson and I shared with a family of Indian friends a celebration of "holy communion" where "divine" mushrooms where first adored and then consumed. The Indians mingled Christian and pre-Christian elements in their religious practices in a way disconcerting for Christians but natural for them. The rite was led by two women, mother and daughter, both of them curanderas, or shamans. The proceedings went on in the Mixeteco language. The mushrooms were of a species with hallucinogenic powers; that is, they cause the eater to see visions. We chewed and swallowed these acrid mushrooms, saw visions, and emerged from the experience awestruck. We had come form afar to attend a mushroom rite but had expected nothing so staggering as the virtuosity of the performing curanderas and the astonishing effects of the mushrooms. Richardson and I were the first white men in recorded history to eat the divine mushrooms, which for centuries have been a secret of certain Indian peoples living far from the great world in southern Mexico. No anthropologists had ever described the scene that we witnessed.
I am a banker by occupation and Richardson is a New York society photographer and is in charge of visual education at The Brearley School.
It was, however, no accident that we found ourselves in the lower chamber of that thatchroofed, adobe-walled Indian home. For both of us this was simply the latest trip to Mexico in quest of the mushroom rite. For me and my wife, who was to join us with our daughter a day later, it was a climax to nearly 30 years of inquiries and research into the strange role of toadstools in the early cultural history of Europe and Asia.
Thus that June evening found us, Allan Richardson and me, deep in the south of Mexico, bedded down with an Indian family in the heart of the Mixeteco mountains at an altitude of 5,500 feet. We could only stay a week or so: we had no time to lose. I went to the municipio or town hall, and there I found the official in charge, the síndico, seated alone at his great table in an upper room. He was young a Indian, about 35 years old, and he spoke Spanish well. His name was Filemón. He had a friendly manner and I took a chance. Leaning over his table, I asked him earnestly and in a low voice if I could speak to him in confidence. Instantly curious, he encouraged me. "Will you," I went on, "help me learn the secrets of the divine mushroom?" and I used the Mixeteco name, 'nti sheeto, correctly pronouncing it with glottal stop and tonal differentiation of the syllables. When Filemón recovered from his surprise he said warmly that nothing could be easier. He asked me to pass by his house, on the outskirts of town, at siesta time.
Allan and I arrived there about 3 o'clock. Filemón's home is built on a mountainside, with a trail on one side at the level of the upper story and a deep ravine on the other. Filemón at once lead us down the ravine to a spot where the divine mushrooms where growing in abundance. After photographing them we gathered them in a cardboard box and then labored back up the ravine in the heavy moist heat of that torrid afternoon. Not letting us rest Filemón sent us high up above his house to meet the curandera, the woman who would officiate at the mushroom rite. A connection of his, Eva Mendez by name, she was a curandera de primera categoría, of the highest quality, una Señora sin mancha, a woman without stain. We found her in the house of her daughter, who pursues the same vocation. Eva was resting on a mat on the floor from her previous night's performance. She was middle-aged, and short like all Mixetecos, with a spirituality in her expression that struck us at once. She had presence. We showed our mushrooms to the woman and her daughter. They cried out in rapture over the firmness, the fresh beauty and abundance of our young specimens. Through an interpreter we asked if they would serve us that night. They said yes.




HOUSE where mushroom sessions took place is built of adobe, has thatch "dog-ears" over gable ends. Door, lower right, leads into ceremonial room.


ABOUT 20 of us gathered in the lower chamber of Filemón's house after 8 o'clock that evening. Allan and I were the only strangers, the only ones who spoke no Mixeteco. Only our hosts, Filemón and his wife, could talk to us in Spanish. The welcome accorded to us was of a kind that we had never experienced before in the Indian country. Everyone observed a friendly decorum. They did not treat us stiffly, as strange white men; we were of their number. The Indians were wearing their best clothes, the women dressed in their huipiles or native costumes, the men in clean white trousers tied around the waist with strings and their best serapes over their clean shirts. They gave us chocolate to drink, somewhat ceremonially, and suddenly I recalled the words of the early Spanish writer who had said that before the mushrooms were served, chocolate was drunk. I sensed what we were in for: at long last we were discovering that the ancient communion rite still survived and we were going to witness it. The mushrooms lay there in their box, regarded by everyone respectfully but without solemnity. The mushrooms are sacred and never the butt of the vulgar jocularity that is often the way of white men with alcohol.
At about 10:30 o'clock Eva Mendez cleaned the mushrooms of their grosser dirt and then, with prayers, passed them through the smoke of resin incense burning on the floor. As she did this, she sat on a mat before a simple altar table adorned with Christian images, the Child Jesus and the Baptism in Jordan. Then she apportioned the mushrooms among the adults. She reserved 13 pair for herself and 13 pair for her daughter. (The mushrooms are always counted in pairs.) I was on tiptoe of expectancy: she turned and gave me six pair in a cup. I could not have been happier: this was the culmination of years of pursuit. She gave Allan six pair too. His emotions were mixed. His wife Mary had consented to his coming only after she had drawn from him a promise not to let those nasty toadstools cross his lips. Now he faced a behaviour dilemma. He took the mushrooms, and I heard him mutter in anguish, "My God, what will Mary say!" Then we ate our mushrooms, chewing them slowly, over the course of a half hour. They tasted bad--acrid with a rancid odor that repeated itself. Allan and I were determined to resist any effects they might have, to observe better the events of the night. But our resolve soon melted before the onslaught of the mushrooms.



RECEIVING his mushrooms, Wasson takes his night's ration from the hand of Curandera Eva Mendez. In right background Guy Stresser-Péan, French anthropologist who accompanied Wasson, has begun to chew his own supply.


EATING his mushrooms, Wasson takes them from cup holding his night's quota as the curandera prays at the household altar. He chewed them slowly, as is the custom, and his six pair took about a half hour to eat.




Before midnight the Señora (as Eva Mendez is usually called) broke a flower from the bouquet on the altar and used it to snuff out the flame of the only candle that was still burning. We were left in darkness and in darkness we remained until dawn. For a half hour we waited in silence. Allan felt cold and wrapped himself in a blanket. A few minutes later he leaned over and whispered, "Gordon, I am seeing things!" I told him not to worry, I was too. The visions had started. They reached a plateau of intensity deep in the night, and they continued at that level until about 4 o'clock. We felt slightly unsteady on our feet and in the beginning were nauseated. We lay down on the mat that had been spread for us, but no one had any wish to sleep except the children, to whom mushrooms are not served. We were never more wide awake, and the visions came whether our eyes were opened or closed. They emerged from the center of the field of vision, opening up as they came, now rushing, now slowly, at the pace that our will chose. They were in vivid color, always harmonious. They began with art motifs, angular such as might decorate carpets or textiles or wallpaper or the drawing board of an architect. Then they evolved into palaces with courts, arcades, gardens--resplendent palaces all laid over with semiprecious stones. Then I saw a mythological beast drawing a regal chariot. Later it was though the walls of our house had dissolved, and my spirit had flown forth, and I was suspended in mid-air viewing landscapes of mountains, with camel caravans advancing slowly across the slopes, the mountains rising tier above tier to the very heavens. Three days latter, when I repeated the same experience in the same room with the same curanderas, instead of mountains I saw river estuaries, pellucid water flowing through an endless expanse of reeds down to a measureless sea, all by the pastel light of a horizontal sun. This time a human figure appeared, a woman in primitive costume, standing and staring across the water, enigmatic, beautiful, like a sculpture except that she breathed and was wearing woven colored garments. It seemed as though I was viewing a world of which I was not a part and with which I could not hope to establish contact. There I was, poised in space, a disembodied eye, invisible, incorporeal, seeing but not seen.
The visions were not blurred or uncertain. They were sharply focused, the lines and colors being so sharp that they seemed more real to me than anything I had ever seen with my own eyes. I felt that I was now seeing plain, whereas ordinary vision gives us an imperfect view; I was seeing the archetypes, the Platonic ideas, that underlie the imperfect images of everyday life. The thought crossed my mind: could the divine mushrooms be the secret that lay behind the ancient Mysteries? Could the miraculous mobility that I was now enjoying be the explanation for the flying witches that played so important a part in the folklore and fairy tales of northern Europe? These reflections passed through my mind at the very time that I was seeing the visions, for the effect of the mushrooms is to bring about a fission of the spirit, a split in the person, a kind of schizophrenia, with the rational side continuing to reason and to observe the sensations that the other side is enjoying. The mind is attached as by an elastic cord to the vagrant senses.




ALLAN RICHARDSON eats a mushroom in spite of his pledge to his wife.


Meanwhile the Señora and her daughter were not idle. When our visions were still in the initial phases, we heard the Señora waving her arms rhythmically. She began a low, disconnected humming. Soon the phrases became articulate syllables, each disconnected syllable cutting the darkness sharply. Then by stages the Señora came forth with a full-bodied canticle, sung like very ancient music. It seemed to me at the time like an introit to the Ancient of Days. As the night progressed her daughter spelled her at singing. They sang well, never loud, with authority. What they sang was indescribably tender and moving, fresh, vibrant, rich. I had never realized how sensitive and poetic an instrument the Mixeteco language could be. Perhaps the beauty of the Señora's performance was partly an illusion induced by the mushrooms; if so, the hallucinations are aural as well as visual. Not being musicologists, we now not whether the chants were wholly European or partial indigenous in origin. From time to time the singing would rise to a climax and then suddenly stop, and then the Señora would fling forth spoken words, violent, hot, crisp words that cut the darkness like a knife. This was the mushroom speaking through her, God's words, as the Indians believe, answering the problems that had been posed by the participants. This was the Oracle. At intervals, perhaps every half hour, there was a brief intermission, when the Señora would relax and some would light cigarets.
At one point, while the daughter sang, the Señora stood up in the darkness where there was an open space in our room and began a rhythmic dance with clapping or slapping. We do not know exactly how she accomplished her effect. The claps or slaps were always resonant and true. So far as we know, she used no device, only her hands against each other or possibly against different parts of her body. The claps and slaps had pitch, the rhythm at times was complex, and the speed and volume varied subtly. We think the Señora faced successively the four points of the compass, rotating clockwise, but are not sure. One thing is certain: this mysterious percussive utterance was ventriloquistic, each slap coming from an unpredictable direction and distance, now close to our ears, now distant, above, below, here and yonder, like Hamlet's ghost hic et ubique. We were amazed and spellbound, Allan and I.
There we lay on our mat, scribbling notes in the dark and exchanging whispered comments, our bodies inert and heavy as lead, while our senses were floating free in space, feeling the breezes of the outdoors, surveying vast landscapes or exploring the recesses of gardens of ineffable beauty. And all the while we were listening to the daughter's chanting and to the unearthly claps and whacks, delicately controlled, of the invisible creatures darting around us.
The Indians who had taken the mushrooms were playing a part in the vocal activity. In the moments of tension they would utter exclamations of wonder and adoration, not loud, responsive to the singers and harmonizing with them, spontaneously yet with art.
On that initial occasion we all fell asleep around 4 o'clock in the morning. Allan and I awoke at 6, rested and heads clear, but deeply shaken by the experience we had gone through. Our friendly hosts served us coffee and bread. We then took our leave and walked back to the Indian house where we were staying, a mile or so away.