AlterNet: Pornography and the End of Masculinity - Sent Using Google Toolbar

Pornography and the End of Masculinity

By Don Hazen, AlterNet
Posted on September 22, 2007, Printed on September 24, 2007
http://www.alternet.org/story/62833/

In his new book, Robert Jensen forces the reader to face the music about the effects of a porn industry gone gonzo and the need to reassess the trappings of masculinity as the source of increased violence against and degradation of women.

I have always been part of the collective liberal progressive libertarian value system that accepts pornography as a legitimate expression of the First Amendment. Part of that thinking is that women participate in porn films of their own free will and that porn often represents fantasies -- though sometimes quasiviolent or degrading -- that people actually have. So as long as people are merely acting in porn films and there is no coercion, or law-breaking, it is acceptable.

But I've changed my mind. No, I'm not a prude, or anti-sex. Nor do I think there should be a national campaign to snuff out all porn. In fact, I sometimes watch certain kinds of porn. But what has become clear to me is that, under the guise of the First Amendment, a huge and powerful porn industrial complex has grown out of control. And a big part of its growth is fueled, not just by the internet, but by continually upping the ante, increasing the extremes of degradation for the women in tens of thousands of films made every year. I am convinced, although it is, of course, difficult to document, that the huge audiences for porn and the pervasiveness of the themes and behaviors of degradation are having a negative impact on the way men behave and the way society treats women.

Sexism and attitudes toward women were supposed to have gotten better after the 1960s and the feminist movement. The sons of boomers were going to be different. And while perhaps that is true in some cases, what we have instead is more violence against women and more social acceptance of demeaning male attitudes and behaviors that would have been considered out of bounds 20 or 30 years ago. As a society, we've gone backwards.

Part of my thinking on pornography has been shaped by seeing what is on the internet myself, and part, by reading Robert Jensen's powerful and provocative book, excerpted below: Getting Off: Pornography and the End of Masculinity. Jensen has convinced me that something as powerful as the porn industry and its sexual extremism must not be kept under the rug due to liberal shoulder-shrugging about the First Amendment. The porn industry should not enjoy our collective denial in terms of its real-world impact on women -- and men -- simply because we might be berated by First Amendment purists or be uncomfortable grappling with complex issues of sexual expression.

The debate must be pushed, and the consciousness raised. Many will say, don't mess with the issue because it's a slippery slope and could lead to the repression of other freedoms. I've concluded we need to take that chance. Male attitudes are potentially being shaped by ugly and sometimes disgusting abuse toward women. And tens of thousands of young women are being seduced and intimidated into lives of extreme public humiliation on-screen. The impact on their lives over the long run could be devastating.

The advent of Gonzo

One phenomenon in porn is the ascension of Gonzo films. There are two styles of films -- one are features that mimic, however badly, the Hollywood model of plot and characters. But the other, Gonzo, has no pretensions, and is simply the filming of sex acts, which, Jensen writes, while also occurring in features, are "performed in rougher fashion, often with more than one man involved, and more explicitly degrading language, which marks women as sluts, whores, cunts, nasty bitches and so on."

The Gonzo films, which have come to dominate the industry, also emphasize the newer trend of sexual acts, which include: double penetration -- anal and vaginal -- and ass to mouth, or ATM, where anal sex is followed by sticking the penis in the women's mouth. In addition, many of these films include men, often in multiple numbers, ejaculating into the faces and mouths of the women performers. The women usually swallow the semen, but also can share it mouth-to-mouth with a female partner. For Jensen, the most plausible explanation of the popularity of these acts is that women in the world, outside of pornography, don't engage in these acts unless forced. "Men know that -- and they find it sexually arousing to watch them in part because of that knowledge."

As Jerome Tanner, porn film maker, explains, "One of the things about today's porn and the extreme market, the gonzo market, is so many fans want to see much more extreme stuff that I'm always trying to figure out ways to do something different. But it seems that everybody wants to see a girl doing a double penetration or a gang bang. ... It's definitely brought porn somewhere, but I don't know where it is headed from there."

Mitchell Spinelli, interviewed while filming Give me Gape, adds: "People want more. They want to know how many dicks you can shove up an ass. It's like 'Fear Factor meets Jackass.' Make it more hard, make it more nasty, make it more relentless."

Jensen clearly decided in writing his book that the often overwhelming reality of the behavior and values of the porn industry must be experienced by the reader, at least in written form, to understand what the issues are. Thus, in the book, he describes porn scenes, quotes dialogue in the porn films, and includes interviews with porn actors to help capture what they are thinking. Some of this is a little hard to take. Here is one example:

Jessica Darlin tells the camera she has performed in 200 films, and she is submissive. "I like guys to just take over and fuck me and have a good time with me. I'm just here for pleasure." The man who enters the room grabs her hair and tells her to beg the other man. She crawls over on her hands and knees, and he spanks her hard. When he grabs her by the throat, she seems surprised. During oral sex, he says, "Choke on that dick." She gags. He grabs her head and slaps her face then forces his penis in her mouth quickly. She gags again.The other man duplicates the action, calling her a "little bitch." Jessica is drooling and gagging; she looks as if she might pass out. The men slap her breasts, then grab her by the hair and pull her up. Later in the scene, "One man enters her anally from the rear as she is pushed up against the couch. The other man enters her anally while his partner puts his foot on her head. Finally one grabs her hair and asks here what she wants. 'I want your cum in my mouth,' she says. 'Give me all that cum. I want to taste it.'"

Jensen writes, "In researching the porn industry, one of the most difficult parts is writing about the women who perform. Men see women in porn films as objects of desire (to be fucked) or ridicule (to be made fun of.) When porn performers speak in public, they typically repeat a script that emphasizes that they have freely chosen this career because of their love of sex and lack of inhibition." Nina Hartley is one former porn star who frames her experience in the porn industry as empowering -- a feminist act of a woman taking control of her own life. But Jensen notes that while "we should listen to and respect those voices, we also know from the testimony of women who leave the sex industry that often they are desperate and unhappy in prostitution and pornography but feel the need to validate it as their choice to avoid thinking of themselves as victims."

Robert Jensen -- radical man

So that you understand, Robert Jensen is a true radical. His positions on masculinity, race and pornography are way out of the mainstream. He thinks that concepts of masculinity make men less than human and should be junked. "Men are assumed to be naturally competitive and aggressive, and being a "real man" is therefore marked by the struggle for control, conquest and domination. A man looks at the world, sees what he wants and takes it."

In writing his book, he turns to one of the most vilified feminists, Andrea Dworkin, as his guide. One of Dworkin's books, Intercourse , enraged many readers. "In it, Dworkin argues that in a male supremacist society, sex between men and women constitutes a central part of women's subordination to men. (This argument was quickly and falsely simplified to "all sex is rape" in the public arena, adding fire to Dworkin's already radical persona.)" But Jensen embraces Dworkin for best understanding pornography and notes that "her love for men was so evident."

Like many stubbornly pure radicals who in the end have provoked change, Jensen, by sheer dint of the power of his arguments, forces one to examine the contradictions and the consequences of our acts, assumptions and opinions. And, by the way, Jensen has a different definition for radical, preferring the Latin "root" for its meaning. "Radical solutions are the ones that get to the root of the problem." For Jensen, the question becomes: "How do we explain the fact that most people's stated philosophy and theological systems are rooted in concepts of justice, equality and inherent dignity of all people, yet we allow violence, exploitation and oppression to flourish."

Jensen's book is a serious effort to deconstruct pornography and connect it to the society in which it grows and, in some ways, dominates. He addresses in detail the arguments that justify porn and the research that may connect porn to violence. His narrative, interwoven in the book, is about a lonely journey to shed the straight jacket of masculinity, and the pain and lack of acceptance that goes with the territory as he relentlessly pushes his ideas into the public domain.

In the end, the book grapples with a fundamental question. "If pornography is increasingly cruel and degrading, why is it increasingly commonplace instead of more marginalized? In a society that purports to be civilized, wouldn't we expect most people to reject sexual material that becomes ever more dismissive of the humanity of women? How do we explain ... increasingly more intense ways to humiliate women sexually and the rising popularity of the films that present those activities?" Jensen concludes: "... this paradox can be resolved by recognizing that one of the assumptions is wrong. Here it is the assumption that the U.S. society routinely rejects cruelty and degradation. In fact the U.S. is a nation that has no serious objection to cruelty and degradation."

Robert Jensen is on a quest. And he has taken a major step forward in his journey in producing a book that the reader can't run away from or casually dismiss. It is filled with facts, data, intelligent observation and analysis, as well as examples of the raw product of an industry gone gonzo. I know this may sound like a cliche, but I guarantee that after reading this book, almost no one will think about pornography in the same way again.